Group: Shot outline

0.00-0.09: Walk in the street.
0.09-0.14: Lip sync, put hands in the air against white wall, then a projection of her sleeping face.
0.14-0.0.20 Walking through streets, against a wall.
"Like I'm going places"
0.20- 0.23:Walk through the camera into the field.
0.23-0.29: White wall conceptual shot
0.29-0.32: Walks into the middle of the field and spins.
0.32-0.36 :Introduce masked animals. A pan from one of the animals faces.
0.36-0.40 :"The night has come"-projection of a moon.
0.40-0.50: Charlie moves and the animals follow
0.50-0.52:Start of the chorus, against the white wall.
0.52-0.54: Field.
0.54-0.56:"Save me, save me" conceptual shot, pleading to the camera using non verbal language.
0.56-0.59:Field
0.59-1.07: White wall
1.07-1.16: (no singing) Have very small clips of the characters standing still, moving around and in and out of shot in time with the piano.
1.16-1.19: White wall- young hearts projection
1.19-1.25: Field
1.25-1.32: Projection of fire.
1.32-1.34: Field
1.34-1.38:Focus on the animals faces
1.38-1.42: Focus on Charlie's face in front of the white wall
1.42-1.52: Field
1.52-0.53:Start of the chorus, against the white wall.
1.53-1.55: Field.
1.56-1.58:"Save me, save me" conceptual shot, pleading to the camera using non verbal language.
1.58-2.01:Field
2.01-2.10: White wall
2.10-2.27: Very fast speed lapse, of the animals moving around Charlie as she is still.
2.27-2.44: Slow motion speed ramp with animals dancing (jumping skipping) around Charlie.
2.44-2.46: (continued) Field, real speed
2.46-2.49:White wall
2.49-2.51:Field
2.51-3.02:White wall
3.02-3.24: Rewind of the beginning shots from walking back through the camera into the street and even further back to new footage of her coming out of a house and a bedroom and a double bed shared with a boy. It ends with her eyes closing (opening backwards).

In all the gaps there is a constant switch between the conceptual shots in the white room and the shots in the field.